Consola: Mesa analógica SONY MCI MXP-3000 de 1991 con 36 canales. (Made in USA)
Grabación:
- Avid HDX system
- Pro Tools | Ultimate
- Apple macOS High Sierra
- (2) AVID HD IO (32 in – 32 out)
- STUDER A80VU 1″ 8 track
Monitor:
- Adam Audio P11A
- Yamaha NS10M Studio
- Headphones: (6) Beyer Dynamic DT-100, (2) Beyer Dynamic DT- 770 Pro, (2) Sony MDR- 7509, (2) Sony MDR- 7506
Previos:
- (34) Sony MCI MXBK-MI31
- Universal Audio 610
- (2) John Hardy MPC-3000
Outboard:
- Neve 33609 Compressor
- UREI 1176LN Silverface
- Universal Audio 1176LN
- Universal Audio UAD-2 Satellite
- DBX 160X
- DBX 166
- BSS DPR-402
- Sony EQ31
- Sony EQ35
- Sony EQ34
- (2) Pultec EQP-KT
- Plate Reverb EMT Specs
- Radioman SSL Bus Compressor
- Waves Diamond AAX Plugins
- (4) Radial Engineering J48
- Radial Engineering Reamp Kit
- Radial Engineering SGI
Microfonía:
- Neumann U47 de 1954
- RCA 77D Ribbon Mic de 1950
- (2) Neumann U87 Ai
- (2) AKG C414 XLII
- Telefunken MD421
- Sennheiser MD421
- (2) Shure SM57
- Sennheiser MD441
- Senhheiser MD21
- AKG D112
- M-Audio Solaris
- AKG D5
Backline:
- Ludwig Big Beat (Champagne Sparkle) 1970’s
- Ludwig Acrolite Snare 1970’s
- Yamaha G5 Grand Piano Cola
- Young Chang U-109 Piano Vertical
- Fender Rhodes MkI 1973
- Fender 59 Bassman
- Fender Blues Junior “After the Gold Rush”
- Gibson Les Paul “GoldTop 100th Anniversary” de 1994
- Fender Jazzmaster de 1964
- Fender Telecaster Custom de 1974
- Fender JazzBass 1961
- Martin & Co D-18
- Grestch Americana Series Acoustic G4520 LTD
- Höfner 500/1 Violin Bass de 1964
- UFIP, Zyldjian, Slingerland, Paiste Ludwig, Grand Master
- Keyboards: Yamaha DX7, Roland D-50, Korg Polysix
- Stands K&M, Hercules y RCA Boom Stand