Consola: Mesa analógica SONY MXP-3000 de 1991 con 36 canales. (Made in USA)

Grabación: Pro Tools HD – Apple – Antelope

Monitor: Adam Audio, AGL, Sony, Beyer Dynamic, AKG

Previos: 

• Sony MXBK-MI31
• Neve 88R
• Solid State Logic XL9000K
• John Hardy MPC-3000

Outboard:

• EMI/Chandler TG1 Stereo compressor/limiter
• SSL XL9000K compressor
• Neve 88r compressor
• (2) dBX 160x compresor
• (2) BSS DPR 402 Stereo compressor/limiter/de-esser
• BSS DPR 404 compressor/limiter/de-esser
• Sony EQ31, Sony EQ35, Sony EQ34 Pultec.
• Plate Reverb EMT Specs
• Yamaha REV 5
• Pioneer SR202W Spring Reverb
• Radioman SSL Bus Compressor

Microfonía:

• RCA 77D Ribbon Mic 1940’s
• RCA 74b Ribbon Mic 1930’s
• (2) Neumann U87 Ai
• (2) AKG C414 XLII (Cápsula C12)
• Telefunken MD421
• Sennheiser MD421
• (2) Shure SM57
• Sennheiser MD441
• Senhheiser MD21
• AKG D112
• M-Audio Solaris
• Subkick Little Bastard
• AKG D5

 

Backline:

• Ludwig Big Beat (Champagne Sparkle) 1970’s
• Ludwig Acrolite Snare 1970’s
• Yamaha G5 Grand Piano Cola
• Young Chang U-109 Piano
• Fender Rhodes MkI 1973
• Fender 59 Bassman LTD
• Fender Blues Junior “After the Gold Rush”
• Gibson Les Paul “GoldTop 100th Anniversary” 1994
• Fender Jazzmaster 1964
• Fender Telecaster 1974
• Martin & Co D-18
• Grestch Americana Series Acoustic G4520 LTD
• Höfner 500/1 Violin Bass
• Fender Precision American Standard
• UFIP, Zyldjian, Slingerland, Paiste Ludwig, Grand Master
• Keyboards: Yamaha DX7, Roland D-50, Korg Polysix
• Stands K&M, Hercules y RCA
• etc.